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High drama (Staright.com)
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By Mike Usinger Publish Date: January 18, 2007
Proving he has no delusions of grandeur, John LeCompt knows full well that Evanescence is all about one person: Amy Lee. So even though the guitarist has been by the singer’s side since before the band had a record deal, he in some ways still considers himself hired help. “Evanescence is Amy’s band,” the easygoing LeCompt says matter of factly, on the line from an Ottawa tour stop. “She’s the head of the whole deal and we all respect that. And that makes it fun for me. We’re doing so well that we are all totally taken care of on the road—we have all these people whose jobs are to make sure we’re happy. At home I’m a husband and a father of two, so I have to be a grownup. Out here I don’t have to be a grownup. I can just do the rock-star thing, and that’s totally cool.” As the raised-on-death-metal guitarist notes, Evanescence is indeed doing well these days, something that—considering the drama of the past couple of years—few would have predicted. The soap opera started in the months after 2003’s Fallen rocketed up the charts, transforming the Little Rock, Arkansas, band from DIY nobodies into one of the decade’s biggest success stories. As students of ancient history know, Lee had a major falling out with founding guitarist Ben Moody, leading to his abrupt departure mid-tour. Considering that Moody cowrote most of Fallen with the singer, all but the faithful were ready to write Evanescence off as a one-hit wonder. Seeing how the debut album sold 14 million copies, few could blame them. Initially determined to go it alone, Lee teamed up with Moody’s replacement, guitarist Terry Balsamo, to dream up The Open Door, a dark-skies fusion of nü-metal, coffin-black goth, and ethereal rock that shipped platinum right out of the box. Nothing—including the departure last year of long-time bassist Will Boyd and a mild stroke suffered by Balsamo—has slowed the band down. Whether you’ll argue the group is a one-woman show or not, there’s no disputing that Evanescence is now one of rock ’n’ roll’s few legitimate superstar acts. For LeCompt, who contributed to the writing of both Fallen and The Open Door, that means he’s achieved—and maintained—a level of success he never dreamed of back in the ’90s, when he played with a string of go-nowhere metal acts. John LeCompt sounds off on the things that enquiring minds want to know.
On joining Evanescence: “It wasn’t as cut and dried as getting a phone call and asking me if I wanted to be a part of it. They [Amy and Ben] always had a hard time putting together a band because they were way more into the recording aspect. I’d help them out now and then, but they’d also get guys who didn’t prepare themselves—guys who’d show up and play out of tune. Because Ben loved my music from other bands, and because I’ve got my stuff together, I gradually ended up playing with them full-time.”
On Ben Moody: “I love the kid, but he was a real control freak—even worse than me. He wanted to have his hands in everything. But I contributed a lot of music, and some of it got used.”
On fan loyalty: “What’s cool about Evanescence is that the fans feel like they are part of it—they’ve literally grown up with us. A lot of kids were 12 or 13 when they first discovered us. Now they are 16 or 17 and they are still with us.”
“Most of the guys that I hung out with were always like ‘Dude, we’re going to make it by putting a band together and playing music,’” he relates. “I was always like ‘Dude, that’s never going to happen—it’s a huge world, we all live in a small town. Just play for the love of playing.’ It’s funny, but none of those guys play anymore.” In some ways, however, the legacy of Little Rock’s now-retired rivet-heads lives on. LeCompt argues that Evanescence was strongly influenced by the metal bands that he and drummer Rocky Gray did time in during their younger years. That was especially true on Fallen. “I definitely feel a lot of my spirit all over that record,” he says. “Ben Moody was so much younger than me—he kind of grew up watching bands that me and Rocky were in. He took a lot of influence from our playing, and he actually played guitar a lot like me because he learned from me.” As much as he loved Moody, LeCompt figures that he has more in common with Balsamo, which meant that everyone in Evanescence was more or less on the same page when they were recording The Open Door. For proof of that, check out “Lose Control”, which counterbalances Lee’s funereal vocals with brute-force blasts of metal-church guitar. “We’re the same age, so we have the same influences,” he says of Lee’s new right-hand man. “All the death metal bands that I like, he liked. We basically grew up in the ’80s in two different places but with totally similar tastes. Although we never met each other until the band [Evanescence], we just clicked automatically.” Like both Balsamo and Lee, LeCompt realized that Evanescence had plenty at stake on The Open Door. “It dawned on me that we could be one of those one-hit-wonder bands,” he admits. “But at the same time, I wasn’t really feeling that that was going to happen. Looking at the Internet and stuff, kids are really avid fans of the group. They don’t just like it because they like the songs, they like the whole thing: Amy’s beauty and where she’s coming from and the darkness of the band. So I figured we’d be around for a while, rather than people going ‘We’re tired of you—let’s move on to Fall Out Boy.’?” Evanescence gives its Goth Talk–fixated disciples plenty to be captivated by on The Open Door. Featuring what sounds like a 100-strong chorus of fallen angels, “Your Star” drags classic rock through the fields of the Nephilim, while “Weight of the World” boasts enough bone-crushing riffage for the most loyal of Ministry fans. There are moments of obscene beauty (the black-skies ballad “Good Enough”) and moments that will convince you Lee is every bit as tortured as she makes herself out to be (the ode-to-the-afterlife “Like You”). Goth rock’s reigning Queen of the Damned is at her best on “Lacrymosa”, an operatic wonder that is equal parts Wolfgang Amadeus Mozart, Danny Elfman, and, of course, the band that made Little Rock famous. “Terry and Amy had a lot of fun doing it [‘Lacrymosa’],” the guitarist reveals. “They were, for lack of a better way of putting things, going ‘What’s the most ridiculous thing that we can do?’ I mean, how do you expand upon Mozart, who was sort of like the metal god of his day? I don’t know if we made him sound better or cooler, but it definitely was as over-the-top as possible.” Clearly vintage death metal and bombast-?injected goth aren’t the only things rocking Evanescence at the moment, which may explain why the band has never sounded grander.
******
By Mike Usinger Publish Date: January 18, 2007 A dimostrazione che non soffre di delusioni di grandezza, LeCompy sa bene che gli evanescence sono una persona: Amy Lee. Perciò anche se il chitarrista è stato al fianco della cantante sin da prima che la band avesse un contratto, in qualche modo si considera ancora un aiuto assunto. "gli Evanescence sono la band di Amy" dice LeCompt francamente, in una fermata dal tour in Ottawa. "é la mente di tutto quanto e noi tutti rispettiamo questo fatto. E rende la cosa più divertente per me. Stiamo andando così bene che ci trattano davvero bene in tour - abbiamo un sacco di gente il cui unico lavoro è far sì che noi siamo felici. A casa sono un marito e un padre di due figli, perciò devo fare l'adulto. In tour non devo fare l'adulto. Posso fare quelle cose da rock-star, ed è troppo figo." Come nota il chitarrista cresciuto con il death metal, gli Evanescence stanno davero andando bene in questi giorni, qualcosa che -considerando i drammi degli ultimi due anni - in pochi si sarebbero aspettati. La soap opera è iniziata nei mesi dopo che Fallen ha scalato le classifiche come un razzo, trasformando la band di Little Rock, Arkansas, da sconosciuti a uno dei successi più grandi dell'ultima decade. Come sanno gli studenti di storia antica, Lee ha affrontanto una sfida enorme quando il chitarrista Ben Moody ha lasciato la band nel bel mezzo del tour. Considerando che Moody aveva scritto la maggior parte di Fallen con la cantante, chiunque tranne i più fedeli era pronto a scrivere che gli Evanescence erano una band da una sola hit. Visto poi come il debut album ha venduto, pochi avrebbero potuto contraddirli. Inizialmente determinata a continuare da sola, Lee ha fatto squadra con il rimpiazzo di Moody, il chitarrista Terry Balsamo, per sognare The Open Door, Una fusione a cielo nero di new metal, gothic nero come una bara e rock etereo che è diventato di platino non appena uscito. Niente - inclusa la dipartita del bassista Will Boys e l'ictus sofferto da Balsamo - ha rallentato la band. Che siate o no d'accordo che il gruppo è solo di una donna, non c'è disputa sul fatto che gli Evanescence siano una delle poche band che sono giustamente superstar del rock. Per LeCompt, che ha contribuito alla scrittura sia di Fallen che di TOD, questo significa che ha raggiunto - e mantenuto - un livello di successo che non avrebbe mai sognato negli anni 90, mentre suonava con band metal che non sarebbero andate da nessuna parte. John rivela ciò che le menti curiose vogliono sapere.
Riguardo all'unione con gli Evanescence: “Non è stata una cosa veloce e netta come una telefonata in cui mi si chiedeva se volessi essere parte della band. Loro (Amy e Ben) avevano sempre avuto dei problemi a formare una band perchè erano più nella registrazione che altro. Io li aiutavo ogni tanto, ma assumevano anche ragazzi che non si preparavano - ragazzi che si presentavano e suonavano improvvisando. Poichè Ben amava la mia musica nelle altre band e poichè avevo tutta la mia roba pronta. gradualmente ho finito per suonare con loro full-time."
Riguardo a Ben Moody: “Voglio bene a quel ragazzo, ma era un control-freak, peggio di me. Voleva sempre mettere le mani su tutto. Ma io ho contribuito a diverse canzoni, e alcune sono state utilizzate."
Sulla lealtà dei fan: “La cosa bella degli Evanescence è che i fan sentono di essere parte della band - sono letteralmente cresciuti con noi. Molti ragazzi avevano 12, 13 anni quando ci hanno scoperto. Ora ne hanno 16 0 17 e sono ancora con noi."
"La maggior parte dei ragazzi con cui uscivo erano tipo: "Amico, metteremo su una band e suoneremo!" dice "e io ero tipo: "Amico, non accadrà mai - è un mondo enorme, viviamo tutti in una piccola città. Suona per il piacere di suonare." è divertente, ma nessuno di questi ragazzi suona più.
In qualche modo, comunque, l'eredità degli ora-pensionati di Little Rock continua a vivere. LeCompt ammette che gli Evanescence sono stati molto influenzati da band metal in cui lui e Rocky Gray suonavano da giovani. Questo è specialmente vero per Fallen.
"Sento molto del mio spirito in quell'album" dice "Ben Moody era molto più giovane di me - è cresciuto ascoltando band in cui c'eravamo io e Rocky. Ha preso molta ingluenza dal nostro modo di suonare, e in realtà suonava la chitarra come me perchè ha imparato da me."
Per quanto ami Moody, LeCompt crede di avere più in comune con Balsamo, il che significa che tutti gli Evanescence erano sulla stessa pagina nel registrare TOD. A prova di cioò, ascoltate "Lose Control", che controbilancia i vocals funerei della Lee con colpi brutali di chitarra stile metal-church. Abbiamo la stessa età, perciò abbiamo le stesse influenze" dice del nuovo braccio destro della Lee "Tutte le band di death metal che mi piacevano, piacevano anche a lui. Siamo cresciuti negli anni 80 in due posti differenti ma abbiamo gusti simili. Anche se non c'eravamo mai incontrati prima della band, ci siamo trovati subito."
Come Balsamo e la Lee, LeCompt aveva capito che con TOD gli Evanescence avevano una grande posta in gioco. "Mi è saltato in mente che potessimo essere una di quelle band da una hit"ammette "ma allo stesso tempo, non sentivo che sarebbe stato così. Guardando in internet, i ragazzi son davvero grandi fan del gruppi. Non gli piace solo le canzoni, gli piace tutto: la bellezza di Amy e la situazione da cui proviene e l'oscurità della band. Perciò ho creduto che saremmo stati in giro per un bel po', più che gente che dice: "Siamo stanchi di voi, buttiamoci sui Fall Out Boy." Evanescence danno ai loro discepoli fissati col Goth molto per catturarli in The Open Door. Con quello che sembra un forte coro di 100 angeli caduti, "Your Star" porta il rock classico nei campi dei Nephilim, mentre "Weight Of The World" mostra abbastanza riff spacca-ossa per i più fedeli amanti dei Ministry. Ci sono momenti di oscena bellezza (La ballata a cielo nero "Good Enough") e momenti che vi convinceranno che Amy Lee è davvero torturata dentro come sembra essere (L'ode alla vita dopo la morte "Like You"). La Regina Dei Dannati regnante nel goth rock dà il meglio in "Lacrymosa", una meraviglia da opera che miscela in parti uguali Wolfgang Amadeus Mozart, Denny Elfman e, ovviamente, la band che ha reso celebre Little Rock. "Terry e Amy si sono divertiti molto a comporre quella (Lacrymosa)" rivela il chitarrista "Erano tipo, per dirla senza impegnarsi troppo, "Qual'è la cosa più ridicola che possiamo fare? voglio dire, come ci buttiamo su Mozart, che era il re del metal dei suoi tempi?" Non so se l'abbiamo reso migliore o più bello, ma è stato il meglio che si poteva fare." Chiaramente il death-metal vecchio stile e il goth non sono le uniche cose belle negli Evanescence al momento, cosa che potrebbe spiegare perchè la band non ha mai suonato meglio.
Source: http://www.straight.com/node/66180 |
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COUPLA QUESTIONS: EVANESCENCE (MuchMusic.com)
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The countdown's on for Evanescence's new album "The Open Door" - dude, it's almost been four years since their last mega-selling phenom. So like, it's about time. Anyway, lead singer/composer/madame in charge spent a good hour amusing us with her co-hosting duties on MOD - check out the pics below! But first, we had a few minutes with Amy to talk about the new album, designing the art and cage diving!
MuchMusic.com: I gather that there's a theme of control for you right now, like YOU are in control! That's obviously affected your album, but how has it affected your day to day life?
Amy: Well, I'm kind of going through this thing now where it's all about the album, so it doesn't feel like there's much of a difference to me in my everyday life. I am the leader. I'm doing tons of work right now. I don't do all the press by myself, on this little trip I'm the only one who came up because the guys are just chilling and practicing by themselves for a couple of days. But, you know, we make it a team effort. I think that's an important part of being a leader, including everyone.
MuchMusic.com: There's a lot of talk about expectations for this album - it's your sophomore album, you can expect that. But what's your biggest expectation?
Amy: I feel like my expectations were going to be for the outcome of the music. That's already done, so I feel completely accomplished! I had tons of huge expectations for myself. I wanted to do things bigger and better and more emotional and more personal and more intimate than anything I've ever done. I wanted to do something better than "Fallen". I don't think that's hard. To try to top record sales is stupid and impossible because if you're trying to be an artist and your only goal is money, then you're never going to come up with a good piece of art. I was really just concentrating on music and all the things I wanted to try, and all the ways I wanted to branch out and incorporate different sounds into our music and different instruments, and more personal lyrics. To me, I really feel that I've accomplished everything I wanted to, and I feel satisfied. What everyone else expects, I don't know! We'll see. I'm sure that they can't possibly expect what's coming.
MuchMusic.com: The imagery for this album is beautiful. Do you have input on that like you do with your clothes?
Amy: I actually designed the album cover. I drew the door, and there's this waterfall - I'm gonna put it online, I keep meaning to do it but I've been so busy. But, I drew it and I showed it to my manager who showed it to the label and was like, this is my vision for the album, she's walking out the open door and I want to call it "The Open Door". And when I showed up to the photoshoot, I thought we were just going to find a big door but they'd actually recreated and drawn a full scale picture of the door I had drawn! Which was really awesome! I love it. I'm very involved with the art and the videos and clothing and everything else.
MuchMusic.com: Is there a movie that inspires you visually?
Amy: Yeah! Definitely, there's a few. "The Nightmare Before Christmas", "Edward Scissorhands", "Sleepy Hollow" - all the Tim Burton movies. Those are the biggest ones, all the Tim Burton stuff.
MuchMusic.com: You seem really open about talking about anything. Is that who you are as a person?
Amy: Yeah, pretty much. I think I'm a little bit better, older and wiser about who's just out to take advantage of me and I don't share so much with those people. But yeah, my life's pretty much an open book. I feel like it's just natural, especially in the art more than anything, to just say anything and everything. The more I get out of my system, the better I feel.
MuchMusic.com: Are you open to adventure?
Amy: (intrigued) Like what?
MuchMusic.com: Ummm, like bungee jumping?
Amy: I'm scared to bungee jump! But Terry and I really wanted to do the cage dive with the sharks, like really bad, on the side of a boat. Now Tim, our new bass player, is totally like, adventure guy and he wants me to skydive. I'm NOT skydiving! But I still think it might be cool to do the shark thing. I'm scared, but I think I might do it. I'm a certified diver, I can handle it!
~ Wendy Heisler
Source: http://www.muchmusic.com/insidemuch/couplaquestions/evanescence/ |
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VH1 V-Spot Top 20 Countdown Transcript
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Interview: this is the v-spot top 20 videos countdown im mat pinfield and joining me right now is the lovely and talent Amy lee from evanescence.
I: Amy, great to have you here
Amy: thanks you great to be here
I: really good to see ya.listening to the new album I heard so many songs that are really, really open and honest, tell me about the lyrics.
A: thanks, I think they are evan more and open and honest from before, im kinda getting braver about saying what I really mean and not putting it in metaphor all the time. Which is scary? Because I can’t run away from it and pretend it’s about something else.
I: yeah
A: I love the new album.lyicaly I just and musically and everything I try to do evan better and ever more and just give has much has my self has I could.
I: Yh, we really have on this one.
A: thank you
I: witch I think is really kool. And obviously u no going threw writing changers with the Ben *not sure what he says* u knew Ben from when you was 15-16 years old. Then Ben of course going off doing his own thing, then you get terry into the band has it been a seamless thing ,was it great writing with him?
A: erm, nothing seamless but has far has writing it was just so grateful like from the first day terry and I went writing together we had erm a awesome start on like 2 songs that made it on the album, erm an I was really like pheww, thanks god like his amazing , his really good and everything I thought he would be, so that went great but its been a really big change for the band for sure erm seems like the whole attitude of the band and idea of the band has sort of changed so its all for good its all revolving. I think it’s better then ever has been.
I: that’s excellent. Now we will have more of Amy in just a minute but first we gonna check out the latest video from cassia.
I: im still sitting here right now with Amy lee, and Amy where about to roll out your new video for ‘call me when you’re sober’, this song has recently come out that’s its… people wounded whose its about at first of course was it about a another ex bf, a family member and it turn out to be about Shaun Morgan your boyfriend from seether. Witch you was gonna keep that a secret for a while.
A: well you no what. This song really does apply to a few different people, I was coming from that you know, a lot of the album is about that relationship, and a lot of things I was going threw my self. But erm... I don’t know... I hate that... I don’t want to hurt anybody erm… but it’s just a really open and real song so there it is what can I say. Relationships and brake-ups are really hard.
I: Amy, well obviously because it became public and Shaun decided to go in to rehab and it was hard for u to say no this isn’t about that.
A: that’s all, it’s just sort of like, there throwing it at me, and im like ok, sure, your right, I carnt say anything. But it really erm… its surprising how many people it applies to. Its just ermmm..iv seen a lot of people kind off threw there lives away when they don’t have to and there so talented and erm I defiantly would love it for everyone could get a little healthy and stop bring drama in to my life.
I: yeah absolutely
A: and there own.
I: absolutely, now let’s check out the video right now here it is the countdown debue of call me when you’re sober from Amy lee and her band evanescence, it’s in at 13.
I: and that was the countdown debue of call me when you’re sober by evanescence at number 13, still being joined right now but the very talented Amy lee. The new album is great by the way, what about touring, people are going to want to know when they can see evanescence again.
A: tour starts October 5th I think we are starting in Toronto, and it’s going to rule we are all just totally excited to get out there get everything ready and recording for like 2 years so erm every one is dieing to play again. But the new material is harder so you know; we have a lot of practising to do.
I: yeah, spend some time between now and then right?
A: yesss!
I: and rehearsals
A: next week, actuarially rehearsals start,
I: that’s good, well Amy best of luck,
A: thank you
I: it was great having you, really happy to have u stop by, the new single is fantastic, and I heard the album people. So when it’s out go check it out. Its great, good luck with the new album.
*****
Intervistatore: questo è il v-spot top 20 videos countdown, sono Mat Pinfield e con me c'è la bellissima e talentuosa Amy Lee degli Evanescence.
I: Amy, è bellissimo averti qui
A: Grazie, è bellissimo essere qui.
I: E' veramente un piacere vederti.Ascoltando il nuovo album so sentito così tante canzoni che sono molto oneste e dirette.Parlami dei testi.
A: Grazie, credo che siano molto più dirette e sincere rispetto a prima, sono diventata più coraggiosa nel dire quello che penso senza dover usare metafore ogni volta. Perchè mi spaventa? Perchè non posso fuggire dalla verità e far finta che siano cose riguardanti qualcos'altro.
I: Si.
A: Amo il nuovo album, per quanto riguarda i testi, la musica e tutto il resto ho cercato di migliorarmi e dare il meglio di me stessa.
I: Si, me ne sono reso conto.
A: Grazie.
I: Penso che questo sia davvero molto bello.Ovviamente hai dovuto affrontare molti cambiamenti nella scrittura dei testi, l'abbandono di Ben che conoscevi da quanto avevi 15 anni e l'introduzione di Terry come scrittore...è stato bello lavorare con lui?
A: Sono molto grata a Terry, sin dal primo giorno è stato meraviglioso lavorare con lui, abbiamo realizzato da subito due canzoni che sono poi finite direttamente nell'album, grazie a Dio lui è davvero bravissimo.E' stato davvero un grande cambiamento anche per la band, ma tutto è andato magnificamente, credo che le cose ora siano migliori di quanto non fossero in precedenza.
I: Questo è meraviglioso.Torneremo presto a parlare con Amy, ma prima dobbiamo dare un'occhiata al nuovo video di Cassia.
I: Sono ancora qui seduto accanto ad Amy Lee. Stiamo per parlare del tuo nuovo video per "Call me when you're sober", la vostra nuova canzone. La gente si è chiesta di cosa parla il testo, alcuni hanno ipotizzato che si trattasse di un ex ragazzo o di un membro della famiglia e poi è saltato fuori che la canzone è dedicata a Shaun Morgan il tuo ragazzo che fa parte dei Seether.Relazione che tu stavi tenendo segreta da sempre.
A: Bhè vedi...questa canzone può benissimo adattarsi a più persone.La maggiorparte dell'album parla di relazioni che ho avuto e di molte cose che ho dovuto affrontare. Hem...non voglio ferire nessuno, è una canzone molto onesta e diretta, cosa posso dire...i rapporti sentimentali e le rotture sono difficili.
I: Amy, forse riguarda il fatto che la vostra relazione è diventata di dominio pubblico, Shaun ha deciso di entrare in riabilitazione e per te deve essere stata dura dire di "No".
A: E' così più o meno.Mi hanno tirato tutto addosso ed io ho dovuto subire tutto.Ma non posso dire nulla.E' sorprendente come la canzone possa riferirsi a diverse persone.Ho visto molta gente gettare la propria vita Erano persone di talento, che non avrebbero dovuto fare questa scelta.Mi piacerebbe che la gente si preoccupasse un pò di più per la loro salute così da smettere di portare dei drammi nella mia vita.
I: Certo, assolutamente.
A: ...e nelle loro vite.
I: Assolutamente, ora guardiamoci il video, ecco la premiere del clip di "Call me when you're sober" degli Evanescence, direttamente alla posizione numero 13.
I: E questo era il debutto di "Call me when you're sober" alla posizione numero 13, sono ancora qui con la bravissima Amy Lee.Il nuovo album è grandioso ma dimmi qualcosa del tour, la gente vuole sapere quando potrà vedere di nuovo gli Evanescence Live.
A: Il tour inizierà il 5 Ottobre, credo che inizieremo a Toronto e sarà meraviglioso, siamo tutti molto eccitati di preparare tutto, abbiamo passato due anni a registrare quindi non vediamo l'ora di suonare live di nuovo.Ma il nuovo materiale è leggermente più complesso e difficile quindi abbiamo bisogno di molte prove ed esercitamento.
I: Si, passate molto tempo ad esercitarvi rispetto a prima, vero?
A: Si.
I: Poi ci sono le prove...
A: Inizieremo le prove la prossima settimana.
I: E' magnifico!Bhè Amy ti auguro tanta fortuna.
A: Grazie.
I:E' stato meraviglioso averti qui e siamo felici che sia passata a trovarci, il nuovo singolo è fantastico ed ho anche ascoltato l'album.Quando uscirà assicuratevi di ascoltarlo.E' grandioso, ancora in bocca al lupo per il nuovo lavoro.
Transcript: adsleonard (www.evanescence.it/bboard) Video: Rain for EvanescenceWebsite.com (http://lnx.evanescencewebsite.com/MediaArchive) Grazie a LostWord per la traduzione
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Band Interview (Canada.com)
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AMY: Right after we got off the road we instantly went into, just hiding, and started writing for the next record. I’m really looking forward to touring again, it’s been 2 years since we played a show, by the time we play it’ll have been a lot longer. The fans, I miss feeling that feeling on stage, the energy of everyone just kinda “feeling” at the same time. It’s just so powerful. You can hear on the album a lot of the changes that I’ve gone through in my life. The album’s more mature. I mean, I’m a better musician than I was. Also I’ve gained a lot of confidence, I’m not afraid to do a lot of things that I guess on the first record I felt self-conscious about or maybe afraid to try. Musically we really just tried so many new things. I feel like this record has a lot more soul, in more ways than one. Mostly I mean, I just really went with what I felt, even more specific and true to myself. Like for example the first single CMWYS – it’s kinda impossible to misinterpret the lyrics. Like I really wanted to say something and it’s been said. You can look at it a different way, typical of my lyric-writing I guess. You can apply it to your life, think of it in 2/3 different ways which a lot of the writings go that way a bit. Sometimes I’ve just really wanted to say something and said it and you can’t hide from it and I’m proud of that. Lithium’s definitely a metaphor. I felt like I was in love with my sorrow, which I’ve always felt like. I get into these moods when I write music and it’s not the most depressed, it’s just this kinda strange low when I write. At the same time I wanna break free and feel free and happy, I think that was me getting ready to drop the ball and just change and move on. Good Enough does frighten me. I think I’m kinda scared of it. I think it’s weird. It was the greatest song to write and to bring to the table when we were recording the album because its just really real and I was really saying what I really felt and for once that wasn’t miserable or stuck or trapped or sad or grieving, it was happy and I was like, “Well, I wrote a happy song, you guys are probably gonna hate it.” And they loved it so, I’m in love with GE, it’s more the way I feel now. It’s the last song I wrote for the album, it’s really cool that it’s the last song on the album because its all of the things that I went through and the point that I got to.
JOHN: “All That I’m Living For” to me is, whenever I wrote the stuff that I did for that song I kept in mind what Evanescence was to me. I’ve been around for a long time. Although I didn’t have a lot of writing on the first record, I’ve been playing these songs for years so I think it has a lot of the overtones of what happened on the last record but way heavier.
TERRY: Probably the song called Your Star I like a lot, and Sober I like a lot for a single.
ROCKY: Just being able to do what I love to do everyday and being able to support my family doing what I like to do, you can’t ask for more than that really.
TERRY: A lot of cool stuff happened to us. The European tour I did with the band, and to see how big the band was and to stay so far away from home was really cool
AMY: These guys are hilarious. I am just constantly in stitches. I can’t keep up, half the time I don’t know what they’re saying…it’s hilarious. *all laugh*. Touring overseas, it tends to be a little more stressful because you’re trying to cram it all in and they’re so many countries to go to and you’re so far from home. It’s a little harder but then again, the fans get crazier…
Source: http://www.canada.com Transcript: Thanks to Ketan (Femme Metal Board) |
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AIM Interview
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AOLMusicTye: hi! AOLMusicTye: thanks so much for chatting with us today
AmyOpenDoor: awesome. :)
AOLMusicTye: where are you right now?
AmyOpenDoor: in the middle of nowhere! AmyOpenDoor: I'm in gulf shores alabama with my family. AmyOpenDoor: right now I'm with my dad at an internet cafe having an iced coffee.
AOLMusicTye: haha. nice. AOLMusicTye: has anyone recognized you yet?
AmyOpenDoor: nah. i look ridiculous. AmyOpenDoor: I'm actually wearing something floral.... and I'm feeling nauseous about it. haha...
AOLMusicTye: floral! say it ain't so! AOLMusicTye: this is going to TOTALLY ruin your rep ;)
AmyOpenDoor: i know. AmyOpenDoor: well wadiya expect. i'm on vacation! :) AmyOpenDoor: it's hard to be me ALL the time. ;)
AOLMusicTye: hehe. I'm sure. AOLMusicTye: so first off, congrats on finally finishing the new CD AOLMusicTye: it sounds awesome.
AmyOpenDoor: thanks!
AOLMusicTye: tell us a little bit about it. starting with the title...
AmyOpenDoor: well, i came up with the title for the album when terry and i had only been writing it for about 2 months. AmyOpenDoor: I guess we were both a little blown away by the power we had as a team, and this new sound that started coming out. I thought it made a lot of sense, because i felt like we had the freedom to do whatever we wanted as writers AmyOpenDoor: I'm older now and I'm not afraid to say as much :) AmyOpenDoor: and also the music itself - i didn't feel bound by a structure or formula. and no one was saying no to my ideas. AmyOpenDoor: the door was open for us to experiment and GET CRAZY!
AOLMusicTye: hence, 'The Open Door....' AOLMusicTye: so you feel like the door had been more closed previously then?
AmyOpenDoor: i was trapped in a lot of ways... AmyOpenDoor: I'm realizing more and more that a lot of my doors were closed because i was too afraid or insecure to open them. AmyOpenDoor: ...but its beautiful outside. :)
AOLMusicTye: hehe. that's great. AOLMusicTye: you really took your time putting the new cd together
AmyOpenDoor: yeah. I'm a perfectionist. especially now that I'm really the leader of the whole thing, i couldn't put out something that i didn't think was awesome!
AOLMusicTye: how long was the writing and recording process overall?
AmyOpenDoor: i think with writing and recording, this was about a 2 year thing.
AOLMusicTye: so much has happened between now and when 'Fallen' first came out AOLMusicTye: what was the biggest hurdle you felt like you had to jump over to get here?
AmyOpenDoor: hmmm.... well, a lot has changed in the band. I guess I've realized how hard it is to keep a band together. It's like a 5-way marriage. AmyOpenDoor: I think the scariest, most stressful thing was Terry's stroke.
AOLMusicTye: yeah, i can't imagine how scary that must have been
AmyOpenDoor: It was a real eye-opener. I think we both appreciate our lives and the time we have here a lot more.
AOLMusicTye: he's ok now, right?
AmyOpenDoor: yeah, he's had to work really REALLY hard with physical therapy to get back to rock star shape, but he's doing great. AmyOpenDoor: He's going with me to Miami this weekend for some Latin American press. :) should be interesting.
AOLMusicTye: it's crazy how much drama there's been in the band over the last few years. It must have felt like a daytime soap for a while
AmyOpenDoor: haha. my life is that way. There's always something! Otherwise what would i write about?
AOLMusicTye: hehe. excellent point
AmyOpenDoor: Nah, I'm starting to feel a bit more in control of things.
AOLMusicTye: and i'm sure working on the album was very therapeutic in that sense
AmyOpenDoor: sweet! boys2men is on.
AOLMusicTye: haha. what song?
AmyOpenDoor: down on bended knee. haha!
AOLMusicTye: hehehe. the classic AOLMusicTye: wait a minute... AOLMusicTye: don't tell me you're a B2M fan?
AmyOpenDoor: i just miss the nineties.
AOLMusicTye: flower print and '90s R&B? AOLMusicTye: who are you and what have you done with Amy Lee?!??! AOLMusicTye: :)
AmyOpenDoor: I'm just keeping it real, ok? AmyOpenDoor: actually i have no excuse for the floral. It's just my disguise.
AOLMusicTye: but this begs the question -- how different are you from the image your fans have of you? AOLMusicTye: it's obviously not all black candles and Dead Can Dance
AmyOpenDoor: i think my serious fans get me pretty well. AmyOpenDoor: evanescence is my outlet for a lot of heavy feelings AmyOpenDoor: I'm a silly Adult Swim fan with big stupid furry boots on the side. i love to make people laugh.
AOLMusicTye: what's your fave Adult Swim show?
AmyOpenDoor: oh... there are so many. I love sealab, the brak show, aqua teens ... what am i forgetting? AmyOpenDoor: harvey birdman...
AOLMusicTye: harvey bridman is hilarious AOLMusicTye: boondocks
AmyOpenDoor: eh, boondocks isn't my favorite.
AOLMusicTye: you know, they just started showing Pee Wee's Playhouse!
AmyOpenDoor: oh i know!!!!! so happy about that! AmyOpenDoor: it made me pull out Pee Wee's Big Adventure the other day! such a great movie.
AOLMusicTye: it's so twisted. everything went over my head when i was younger
AmyOpenDoor: haha. i always liked the weird creepy stuff mixed into kids movies. remember The Dark Crystal?
AOLMusicTye: of course!!
AmyOpenDoor: i still have a dark crystal lunchbox.
AOLMusicTye: heheh. that's so rad AOLMusicTye: creepy little muppets, weren't they?
AmyOpenDoor: yes. sucking out the sweet little good characters 'essence??' scary! AmyOpenDoor: it scarred me for life.
AOLMusicTye: hehe. so NOW we're getting to the source AOLMusicTye: scary muppets and pee wee herman :) AOLMusicTye: so, you said you're on vacation now... outside of working on the album, what have you done with the time off?
AmyOpenDoor: well, I've really been working hard. Interviews, photo shoots, the video shoot -- all that stuff really started cramming my schedule about a month ago. AmyOpenDoor: I'm here for 3 days with the fam and then off to miami tomorrow for more interviews. AmyOpenDoor: It feels good to be back though -- especially since the new album is so much more of my writing, and just more "me" in general. I'm really excited to see how people react.
AOLMusicTye: are there any big changes in your songs now that fans will pick up on?
AmyOpenDoor: i hope so. AmyOpenDoor: There's a lot more soul to this album... i don't know how to describe it, other than when i listen to it, i can hear that i love my band even more than i did when i was recording Fallen. AmyOpenDoor: I think that even in the scary sad songs i sound like I'm having fun with it. The music is harder to perform, and a bigger challenge is always more fun.
AOLMusicTye: so inquiring minds want to know... when's the last time you talked to Ben Moody?
AmyOpenDoor: i saw him when we won the grammys. AmyOpenDoor: we said a quick congratulations and went our separate ways
AOLMusicTye: when was the moment you knew that the band was gonna be alright without him?
AmyOpenDoor: I knew as soon as i was told he was flying home in the middle of the night in Europe. AmyOpenDoor: I just knew there was a lot of work to be done, and i wanted it bad enough to power through. we all did. AmyOpenDoor: Honestly, it was a relief. I'd come to the realization weeks before that the band couldn't survive without some serious change.
AOLMusicTye: if anything, the band sounds even stronger on the new stuff. AOLMusicTye: especially your vocals. you sound AMAZING
AmyOpenDoor: thank you :)
AOLMusicTye: is it true you've had no vocal training at all??
AmyOpenDoor: well, i started being in (and obsessed with) the school choir when i was about 13, so i know that helped. I even did the all-region and all-state tryouts every year, and that's a lot of extra training... AmyOpenDoor: i don't know, I've just always sung and played piano a lot because i wanted to. and practice makes you better.
AOLMusicTye: heh. and it shows.
AmyOpenDoor: well thank you. i love my job.
AOLMusicTye: do you have any pre-show or recoding rituals that keep your chords in shape?
AmyOpenDoor: i warm up for about 20 minutes before we go on -- just silly choir warm ups work great. AmyOpenDoor: then I listen to loud music and jump around for a minute to get excited. :) i guess you saw some of that on the dvd... AmyOpenDoor: too bad you couldn’t hear the music we were actually listening to. pantera.
AOLMusicTye: NICE! AOLMusicTye: if F**king Hostile doesn't get the blood pumping, nothing will...
AmyOpenDoor: its hilarious. I'm doing cartwheels and sweating to the oldies but we're listening to metal. righteous!
AOLMusicTye: so, just a few more things before we finish up.... AOLMusicTye: it's known you design a lot of your own clothes. AOLMusicTye: any thoughts about putting out your own line someday?
AmyOpenDoor: i don't know. music is a much bigger passion for me. I love weird, fun fashion though. AmyOpenDoor:The band has become such a full time thing, i don't know how i would have time, unless it was a lot later down the line. I think it would be fun, but i don't know.
AOLMusicTye: fair enough... AOLMusicTye: what's the most extravagant thing you've bought recently?
AmyOpenDoor: Well, i guess the most expensive thing would be my new apartment in NY. manhattan living is WICKED pricey.
AOLMusicTye: hehe. seriously. AOLMusicTye: how tricked out is your place? AOLMusicTye: is it Cribs worthy?
AmyOpenDoor: its SO cool. the decorating is just starting though. It used to be a church, so it's all gothic inside. AmyOpenDoor: when you walk down the hall to my door there's stained glass on the ceilings and stuff. its rad. AmyOpenDoor: and yeah -- Cribs wants to do it as soon as i get finished with it. AmyOpenDoor: won't be till the next season.
AOLMusicTye: awesome. we'll stay tuned. AOLMusicTye: ok, what's the best thing about being a goth sex symbol?
AmyOpenDoor: what?? ;)
AOLMusicTye: hehehe. you tell me! AOLMusicTye: you must get a million love letters a day.
AmyOpenDoor: well, for a year i got free baja fresh after going to some awards show so, i think that's been the best perk.
AOLMusicTye: what's the best thing a fan has ever given you
AmyOpenDoor: i went to italy and the fanclub pooled their money and bought me a corset and terry a GUITAR! AmyOpenDoor: i wore the corset on stage that night. john played the guitar for a song or two. it was awesome!
AOLMusicTye: wow. that's amazing. AOLMusicTye: where do you keep your Grammys?
AmyOpenDoor: in my studio, one on top of each speaker. for luck! :)
AOLMusicTye: hehe. perfect. AOLMusicTye: so, the record comes out oct. 3.
AmyOpenDoor: yes...
AOLMusicTye: what's do you have lined up after that? AOLMusicTye: hitting the road right away?
AmyOpenDoor: Well, we start touring right on top of the release. I think our first show is on October third, actually. so we gotta start hitting the whole world! AmyOpenDoor: I'm ready to get back out there. i miss playing live. and we've got so much more to play now!
AOLMusicTye: great. can't wait to see you onstage again AOLMusicTye: ok, i'll let you get back to mom and dad now
AmyOpenDoor: thanks. my 50 spf awaits...
AOLMusicTye: but it was great talking to you!
AmyOpenDoor: thank you for the interview. it was so nice.
AOLMusicTye: take care
AmyOpenDoor: you too!!!
*****
AOLMusicTye: ciao! AOLMusicTye: grazie mille di chattare con noi oggi.
AmyOpenDoor: fantastico.
AOLMusicTye: dove sei ora?
AmyOpenDoor: nel bel mezzo del nulla! AmyOpenDoor: Sono nelle spiagge del golfo di Alabama con la mia famiglia. AmyOpenDoor: ora sono ad un Internet Café, prendendoci un caffé ghiacciato.
AOLMusicTye: haha. carino. AOLMusicTye: ancora non ti ha riconosciuto nessuno?
AmyOpenDoor: nah. Sembro ridicola. AmyOpenDoor: Sto indossando qualcosa di floreale.... e mi sto sentendo nauseata. haha...
AOLMusicTye: floreale! Dimmi che non è così! AOLMusicTye: questo rovinerà TOTALMENTE la tua reputazione
AmyOpenDoor: lo so. AmyOpenDoor: beh il vecchio aspetta. Sono in vacanza! AmyOpenDoor: è difficile essere me stessa TUTTO il tempo.
AOLMusicTye: hehe. Sono sicuro.. AOLMusicTye: allora, prima di tutto, congratulazioni per aver finalmente finito il CD AOLMusicTye: è fantastico.
AmyOpenDoor: grazie!
AOLMusicTye: dicci qualcosa riguardante l'album, partendo dal titolo...
AmyOpenDoor: allora, sono venuta a capo del titolo dell’album quando terry ed io lo stavamo scrivendo da circa 2 mesi. AmyOpenDoor: Credo che eravamo entrambi molto presi dalla potenza che avevamo come squadra, e questo sound iniziò ad emergere. Pensai che aveva molto senso perché mi sono sentita come se avessimo la libertà di fare quello che volevamo come scrittori. AmyOpenDoor: Ora sono più vecchia e non ho paura di dire le cose AmyOpenDoor: e anche la musica in sé stessa – non mi sono sentita obbligata a rispettare una formula o una struttura, e nessuno diceva no alle mie idee. AmyOpenDoor: la porta era aperta per noi per sperimentare e DIVENTARE PAZZI!
AOLMusicTye: da adesso, 'The Open Door....' AOLMusicTye: quindi ti sentivi come se la porta è stata più chiusa precedentemente?
AmyOpenDoor: ero intrappolata in molte cose... AmyOpenDoor: Sto sempre più accorgendomi che molte porte erano chiuse perchè ero troppo impaurita o insicura di aprirle. AmyOpenDoor: ...ma è bello da fuori.
AOLMusicTye: hehe. È bellissimo. AOLMusicTye: ti sei davvero presa il tuo tempo per mettere insieme il tuo
AmyOpenDoor: yeah. Sono una perfezionista. Soprattutto ora che sono veramente la leader di tutte le cose, non posso tirar fuori qualcosa che non penso sia bellissima!
AOLMusicTye: quanto è durato il processo di scrittura e registrazione?
AmyOpenDoor: credo tra scrivendolo e registrandolo, è stata una cosa di due anni.
AOLMusicTye: molte cose sono accadute ora e quando Fallen uscì AOLMusicTye: qual è stato il tuo più grande ostacolo che hai dovuto superare per arrivare lì?
AmyOpenDoor: hmmm.... beh, molto è cambiato nella band. Credo di aver capito quanto sia difficile mantenere una band unita. E’ come se fosse un matrimonio a 5. AmyOpenDoor: Penso che la cosa più spaventosa, più stressante è stata l’ictus di Terry.
AOLMusicTye: yeah, non riesco ad immaginare quanto sia stato brutto
AmyOpenDoor: Ci ha fatto aprire gli occhi. Credo che apprezziamo molto le nostre vite e il tempo che ci è concesso qui, ancora di più.
AOLMusicTye: sta bene ora, no?
AmyOpenDoor: yeah, ha docuto lavorare tanto con la terapia per ritornare alla rock star che era prima, ma sta benone. AmyOpenDoor: Verrà con me a Miami questo fine settimana per un giornale Latino Americano. Dovrebbe essere interessante.
AOLMusicTye: è assurdo quanti drammi ci sono stati nella band in questi ultimi anni. Come se fosse stata una soap per un bel po’
AmyOpenDoor: haha. La mia vita è così. C’è sempre qualcosa! Altrimenti che cosa avrei scritto?
AOLMusicTye: hehe. Buon punto.
AmyOpenDoor: Nah, sto iniziando ad avere le cose sotto il mio controllo.
AOLMusicTye: e sono sicura che lavorare all’album è stato molto terapeutico in quel senso.
AmyOpenDoor: caro! boys2men è in onda.
AOLMusicTye: haha. Che canzone?
AmyOpenDoor: down on bended knee. haha!
AOLMusicTye: hehehe. Classica.. AOLMusicTye: aspetta un secondo... AOLMusicTye: non dirmi che sei una fan dei B2B?
AmyOpenDoor: mi mancano solo gli anni novanta.
AOLMusicTye: stampo floreale e R&B degli anni 90? AOLMusicTye: chi sei tu e che cosa hai fatto ad Amy Lee?!??! AOLMusicTye:
AmyOpenDoor: lo sto facendo sembrare vero, ok? AmyOpenDoor: ora non ho proprio scuse per i fiori . E’ solo un mio travestimento.
AOLMusicTye: questo fa sorgere la domanda – quanto diversa sei dall’immagine che i fan hanno di te? AOLMusicTye: ovviamente non è tutto candele nere e Death Can Dance
AmyOpenDoor: penso che i miei veri fan mi conoscono molto bene. AmyOpenDoor: evanescence è il mio sfogo per sentimenti molto più pesanti. AmyOpenDoor: Sono una scema Adult Swim fan con grandi e stupidi stivali di pelliccia. Amo far ridere la gente.
AOLMusicTye: qual è il tuo Adult Swim show preferito?
AmyOpenDoor: oh... ce ne sono così tanti . Amo il laboratorio marino, il brak show, aqua teens…che cosa dimentico? AmyOpenDoor: harvey birdman...
AOLMusicTye: harvey bridman fa morire AOLMusicTye: boondocks
AmyOpenDoor: eh, boondocks non è il mio preferito.
AOLMusicTye: sai, hanno iniziato a trasmettere Pee Wee's Playhouse!
AmyOpenDoor: oh lo so!!!!! Sono così felice! AmyOpenDoor: mi ha completamente presa l’avventura di Pee Wee l’altro giorno! Un grande film
AOLMusicTye: è così perverso. Quando ero piccolo ogni cosa mi passava per la testa
AmyOpenDoor: haha. Ho sempre apprezzato le cose strane che fanno rabbrividire mischiate con i film per ragazzi. Ricordi The Dark Crystal?
AOLMusicTye: certamente!!
AmyOpenDoor: ho ancora la scatoletta del pranzo dark crystal.
AOLMusicTye: heheh. È così strano AOLMusicTye: i pupini spaventosi, non erano loro?
AmyOpenDoor: yes. Succhiando la piccola e buona essenza dai personaggi, spaventoso! AmyOpenDoor: mi hanno spaventato da sempre.
AOLMusicTye: hehe. Allora, ORA andiamo al sodo. AOLMusicTye: spaventosi muppets e pee wee herman AOLMusicTye: quindi, hai detto di essere in vacanza ora...a parte lavorare per l’album, cosa hai fatto nel tempo libero?
AmyOpenDoor: beh, ho davvero lavorato molto. Interviste, scatti fotografici, girare il video – tutte queste cose iniziarono a riempire i miei programmi circa un mese fa AmyOpenDoor: Sono qui per 3 giorni con la mia famiglia e dopo via verso Miami domani, per più interviste. AmyOpenDoor: Comunque, è bello essere ritornati – soprattutto quando il nuovo album ha così tanto dei miei scritti, e più di “me” in genreale. Sono molto eccitata di come le persone reagiranno.
AOLMusicTye: ci sono grandi cambiamenti nelle tue canzoni che i tuoi fan capteranno?
AmyOpenDoor: lo spero. AmyOpenDoor: C’è molto più soul in questo album...non so proprio come descriverlo, ogni volta che lo ascolto, sento che amo la mia band ancora di più di quando stavo registrando Fallen. AmyOpenDoor: Penso che anche nelle canzoni che fanno rabbrividire sembro che mi stia divertendo. La musica è difficile da performare e una grande sfida è sempre divertente.
AOLMusicTye: allora, teste avide di sapere vorrebbero sapere...quando è stata l’ultima volta che hai parlato a Ben Moody?
AmyOpenDoor: l’ho visto quando abbiamo vinto i grammys. AmyOpenDoor: ci siamo congratulati e siamo andati per le nostre strade.
AOLMusicTye: quando è stato il momento in cui sapevi che la band sarebbe stata bene senza di lui?
AmyOpenDoor: L’ho saputo quando mi è stato detto che stava andando a casa nel bel mezzo della notte in Europa. AmyOpenDoor: Sapevo solo che c’era molto lavoro da fare ed è stato brutto abbastanza da potenziarci. Lo abbiamo fatto tutti. AmyOpenDoor: Onestamente, è stato un sollievo. Venni a capo di ciò settimane prima che la band non poteva sopravvivere senza alcuni seri cambiamenti.
AOLMusicTye: anche se, la band sembra ancora più forte nel nuovo materiale AOLMusicTye: soprattutto nella tua voce. Sei GRANDISSIMA.
AmyOpenDoor: grazie
AOLMusicTye: è vero che non hai mai fatto esercizi vocali?
AmyOpenDoor: allora, iniziai a far parte (e ossessionata) del coro della scuola quando avevo circa 13 anni, sapevo che sarebbe servito. Ho anche fatto dei tentativi in tutte le regioni e gli stati ogni anno, e c’è tanto allenamento extra.
AmyOpenDoor: non so, ho solamente cantato e suonato molto il piano perchè lo volevo, e la pratica ti migliora.
AOLMusicTye: heh. E si vede.
AmyOpenDoor: beh grazie. Adoro il mio lavoro.
AOLMusicTye: hai qualche pre-show o rituali che ti mantengono in forma?
AmyOpenDoor: mi riscaldo per circa 20 minuti prima che andiamo in scena – soltanto uno stupido riscaldamento da coro, fa benissimo. AmyOpenDoor: dopo ascolto musica ad alto volume e saltello di qua e di là per un minuto per diventare emozionata credo che lo hai visto nel dvd… AmyOpenDoor: peccato che non puoi sentire la musica che stiamo ascoltando ora. Pantera.
AOLMusicTye: BELLO! AOLMusicTye: se i fottuti Hostile non ti fanno pompare il sangue, nessuno lo saprà fare...
AmyOpenDoor: è divertentissimo. Sto facendo la ruota e sono tutta un baagno di sudore, ma stiamo ascoltando del metal. Tutto è giustificato!
AOLMusicTye: dunque, solo poche cose prima di finire... AOLMusicTye: si sa che disegni molti dei tuoi vestiti. AOLMusicTye: qualche idea di mostrare la tua linea di vestiti qualche giorno?
AmyOpenDoor: non lo so. La musica è una passione ancora più grande. Anche se adoro le cose fashion, divertenti e strane. AmyOpenDoor:La band è diventata una cosa a tempo pieno, non credo di avere tempo, a meno che nonmi prendeva completamente. Credo sarebbe divertente, ma non saprei.
AOLMusicTye: abbastanza giusto... AOLMusicTye: qual è la cosa più stravagante che hai comprato recentemente?
AmyOpenDoor: Beh, credo che la cosa più costosa è il mio nuovo appartamento a NY . La vita a Manhattan è veramente costosa.
AOLMusicTye: hehe. Seriamente.. AOLMusicTye: quanto è arredato? AOLMusicTye: è degno?
AmyOpenDoor: è DAVVERO forte. Le decorazioni sono solo l’inizio. Era una chiesa, dunque è tutto gotico dentro. AmyOpenDoor: quando cammini per la hall nella mia porta c’è un tipo di vetro macchiato sul tetto e cose simili. È strano. AmyOpenDoor: e yeah – Cribs lo vuole non appena non avrò finito con esso. AmyOpenDoor: non sarà fino la prossima stagione..
AOLMusicTye: fantastico. Staremo a vedere.. AOLMusicTye: ok, qual è la cosa più bella di essere un sex symbol gotico?
AmyOpenDoor: che cosa??
AOLMusicTye: hehehe. dimmelo! AOLMusicTye: riceverai milioni di lettere d’amore al giorno.AmyOpenDoor: beh, per un anno mi davano baja fresh dopo qualche award show, quindi è stato il miglior vantaggio **baja fresh= tipico cibo messicano**. AOLMusicTye: qual è stata la cosa più bella che un fan ti abbia dato?
AmyOpenDoor: Sono andata in Italia e il fans club raccolse i soldi e mi comprò un corsetto e a Terry una chitarra! AmyOpenDoor: indossai il corsetto quella notte sul palco. John suonò la chitarra per una canzone o due. E’stato bellissimo!
AOLMusicTye: wow. È fantastico. AOLMusicTye: dove tieni i tuoi Grammys?
AmyOpenDoor: nel mio studio, nella parte più alta di ogni speaker. Come portafortuna!
AOLMusicTye: hehe. perfetto. AOLMusicTye: quindi, il disco esce il 3 ottobre.
AmyOpenDoor: sì...
AOLMusicTye: che cosa farai dopo che uscirà? AOLMusicTye: andrai in tour?
AmyOpenDoor: Beh, inizieremo col tour subito dopo l’uscita. Attualmente credo che il nostro primo spettacolo sia il 3 di Ottobre, quindi inizieremo a fare successo nell’intero mondo AmyOpenDoor: Sono pronta a ritornare lì. Mi manca suonare dal vivo. E abbiamo più cose da suonare ora!
AOLMusicTye: perfetto, non vedo l’ora di vederti sul palco di nuovo. AOLMusicTye: ok, ti lascio ritornare dal tuo papà e dalla tua mamma.
AmyOpenDoor: grazie i miei 50 spf aspettano...
AOLMusicTye: ma è stato fantastico parlare con te!
AmyOpenDoor: grazie dell’intervista. È stata così carina.
AOLMusicTye: stammi bene
AmyOpenDoor: anche tu!!!
Source: http://music.aol.com/artists/aim-celebrity-interview/evanescence-page-1 Grazie a Klaus per la traduzione |
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Aprite le porte al mio rock (L'Espresso)
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Voce formidabile. Suoni inusuali. Mix di ritmi. La leader degli Evanescence racconta in anteprima a 'L'espresso' il nuovo disco, 'The Open Door'
Siamo un gruppo rock, non c'è dubbio. Ma rock epico, teatrale, dark... Così Amy Lee, cantante e anima degli Evanescence, ama definire la band che da Little Rock in Arkansas ha conquistato il mondo. 'L'espresso' ha potuto ascoltare in anteprima 'The Open Door', l'atteso cd che gli Evanescence lanceranno il 3 ottobre con un tour mondiale. Un passo indietro. Correva il 2003 quando 'Fallen' scalò le classifiche prima in America e poi in Europa, introducendo il pubblico a un nuovo concetto di rock sincretico, suonato da una band guidata da una ventenne dalla voce prorompente (Amy Lee), un pianoforte capace di distillare melodie orecchiabili, sostenuto da chitarre basso e batteria da heavy metal. Il tutto condito da crescendo di archi ed effetti elettronici. Un cocktail originale e commercialmente appetibile che spiazza la critica. Inizialmente gli Evanescence vengono erroneamente etichettati christian rock, poi heavy metal, gothic e nu metal. La verità è che Amy e compagni sono un passo avanti alla critica: hanno intuito la possibilità di coniare un nuovo linguaggio coniugando elettronica e pop a suggestioni di Jimi Hendrix e Björk. 'Fallen' si aggiudica due Grammy, vende 14 milioni di copie e proietta gli Evanescence nell'Olimpo del rock. Poi il singolo 'Bring Me To Life' viene inserito nella colonna sonora del film 'Dearedevil': per gli Evanescence è la consacrazione. Segue una tournée in 35 paesi davanti a folle adoranti.
A tre anni di distanza, Amy Lee per 'The Open Door' (Wind-Up Records) ha scritto 13 nuove canzoni che dimostrano l'allargarsi della gamma espressiva della band, che con Terry Balsamo (ex Cold) e John LeCompt alle chitarre, William Boyd al basso e Rocky Gray alla batteria, sostiene le evoluzioni vocali e pianistiche di una leader grintosa e spregiudicata. Il linguaggio del disco, crudo ma poetico, riflette le sonorità cangianti della band. Molti brani si avvalgono oltreché di archi, anche di un coro registrato in una cappella. La prima delle 13 tracce, 'Sweet Sacrifice', parte soft e diventa hard con versi come "un giorno affogherai nel mio sangue" e voce e chitarre in evidenza. Poi, l'esplicito 'Call Me When You're Sober' (il primo singolo) è destinato a scalare le classifiche. Si tratta di una ballata che parte con piano, voce e atmosfere blues per poi scatenarsi in un'apoteosi di chitarre, coro ed effetti vocali elettronici. L'estensione vocale della Lee e il suo ruvido lirismo sono apprezzabili soprattutto in 'Lithium' e in 'Cloud None' dove spazia con la libertà dell'improvvisatrice. Il coro e gli archi usati sono dosati con intelligenza. Si chiude con la melodica 'Good Enough', piena di ironia. 'L'espresso' ha incontrato Amy Lee a New York, sua città d'adozione. Lee, appena 24enne, ha più l'aria della brava ragazza che non della diva del rock.
Perché avete aspettato tre anni dopo il successo di 'Fallen' per tornare in studio? "In verità fremevo per tornare in sala d'incisione, ma semplicemente non avevo il tempo di comporre. Siamo stati in tour per un anno e mezzo. Le mie giornate erano troppo piene. Poi ci è voluto tempo. Sapevo che in molti ci attendevano al varco e volevo che 'The Open Door' fosse il meglio di cui siamo capaci".
Come sono nati questi brani? "In casa mia, con calma, mi mettevo al pianoforte e cominciavo a suonare, lasciando che le idee si cristallizzassero da sole. Terry, il chitarrista, veniva, ascoltava e poi insieme ci accorgevamo che stava nascendo un brano. Lavoravamo insieme per qualche settimana, quindi lui tornava a Jacksonville ed elaboravamo separatamente le idee per poi verificarle con il resto della band. Le pause sono essenziali per ricaricarsi e affinare il senso critico".
In una parola come definirebbe il nuovo disco? "Sbalorditivo. Lo dico con tutta la sincerità e l'entusiasmo del caso. Sento che rispetto al precedente sono cresciuta come musicista e come persona. Nel prendere coscienza dei miei mezzi, ho preso coraggio. Nei testi sono riuscita a dire tutto quello che avevo in mente senza parafrasi o ambiguità. 'Call Me When You're Sober' è esplicito, diretto, disinibito. In passato scrivevo testi che si prestavano a più interpretazioni, che potevano valere per ogni luogo e ogni tempo. Adesso voglio essere più concreta".
Anche vocalmente ha preso coraggio, osa di più, per esempio nel brano 'Cloud Nine'... "È vero. Esibirsi dal vivo è una scuola incredibile e mesi e mesi di tour ti consentono di provare e riprovare fino a capire come affinare la voce. In tre anni anche la voce è maturata e ho voluto metterne in mostra l'intera estensione, brano per brano".
Quando ha deciso di fare la cantante? "Non l'ho deciso, è successo. Da quando ero una teen-ager sapevo di voler scrivere, era ed è la mia passione. Poi quando abbiamo formato Evanescence ho capito che la mia scrittura dava luogo a canzoni e volevo interpretarle. Per chi suona il piano, cantare è quasi un passo naturale".
Saprebbe descrivere il suo rapporto emotivo con la sua voce? "La cosa incredibile della voce, del cantare, è che stai lì a cercare di esprimere emozioni, di tirare fuori qualcosa che hai dentro. È letteralmente tirare fuori dell'aria da dentro il mio corpo, espellerla fuori, cioè una manifestazione fisica di qualcosa di emotivo e personale. Cantare per me è definire il suono di un sentimento".
A cosa allude il titolo 'The Open Door'? "Alla libertà di provare qualunque cosa, musicalmente".
Mentre scriveva, che musica ascoltava? "Un po' di tutto, ma confesso che mi piace riscoprire gioielli del passato, in particolare 'Violator' dei Depeche Mode e un disco di qualche anno fa di Tori Amos. Poi con la band ascoltavamo molti heavy metal: Pantera, AC/DC che è la musica che ama Terry".
La musica degli Evanescence è difficilmente etichettabile perché mescola costantemente più generi. È una scelta voluta? "Direi che è il modo in cui ascolto le musiche dei nostri giorni. Ho capito che ciò che funziona per noi è seguire il nostro istinto, il nostro gusto, senza limitazioni. Così abbiamo imparato a mescolare hard rock e pop, musica corale a elettronica, melodia a ritmi forsennati".
Quali sono le differenze principali tra incidere un brano in studio ed eseguirlo dal vivo? "In studio è possibile controllare ogni aspetto fino alle minime sfumature, provando e riprovando fino a sentirci soddisfatti. Dal vivo invece abbiamo un'unica chance di dare il nostro meglio".
Che ruolo ha il pubblico? "Fondamentale, è quasi un partner. Avere una massa di persone davanti, che canta con te, che conosce e ama le canzoni, ti dà un'energia incredibile. Sembra un'ovvietà, ma succede qualcosa di magico, un transfer di energia da noi a loro e da loro a noi che trasporta la musica e l'emozione a un'altro livello".
Dal vivo non vi portate dietro né l'orchestra di archi né il coro, è un problema? "Coro e orchestra sono elementi essenziali della nostra musica. Dal vivo usiamo campionatori e registrazioni per una questione di costi, credo che il pubblico capisca".
La sua esperienza più bella con il pubblico? "Eravamo ad Atene per un concerto all'aperto. Era la fine del tour ed eravamo stanchi. Una volta sul palco ci accorgiamo che l'impianto di amplificazione è disastroso: non riusciamo a sentirci. Ma appena ho iniziato a cantare mi rendo conto che le migliaia di persone che gremivano questo spazio, stavano cantando con me: sentivo meglio loro che me stessa e questo è stato trascinante".
di Alessandro Cassin
Source: http://espresso.repubblica.it/dettaglio/Aprite%20le%20porte%20al%20mio%20rock/1337548 Thanks to Liquid_Snake |
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Heard on the red carpet at Sunday's MuchMusic Video Awards
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Evanescence lead singer Amy Lee said guitarist Terry Balsamo is making "miraculous progress" recovering from a stroke he suffered last fall.
Lee said at Sunday's MuchMusic Video Awards that Balsamo is doing physical and occupational therapy and is re-learning the guitar.
She said they expect he'll be ready to tour again in October.
"He's doing really well," she said. "It's been a lot of hard work for him but he's completely determined and stubborn as a mule. So he's way better already but still recuperating a little bit."
Evanescence's second album, The Open Doors, will be released Oct. 3; Lee said it's heavier and more intimate than the band's debut album, Fallen.
"I think the lyrics are more personal and more direct ... I love it even more than the first one, for sure," she said.
Source: http://www.680news.com/news/entertainment/article.jsp?content=e061933A |
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MMVAs: Seeing Stars
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Anyway, speaking of doing it for the love of music, we caught up with Evanescence's Amy Lee, who was looking particularly bewitching, and she told us about recording her band’s sophomore effort and how she dealt with the pressure of following up such a massive debut.
“You can’t listen to [the pressure],” she asserted. “You can’t let it affect the way you write. You have to write music because you want to, not because you have to.”
Lee said she put the finishing touches on the album just two weeks ago and is still “kind of spinning” because she doesn’t know what to do with herself after spending two years locked in the studio. The gothy songstress revealed she’s grown since we last heard from her and fans can expect more depth on the disc, due in October.
“I’ve just grown as a musician and a person,” she said. “There’s a lot that I’ve said now that I didn’t think I could say before — I was afraid to. Musically, there’s a lot that I don’t think I could have done last time. It sounds awesome. I really pushed myself to my limits. I hope everyone really loves it, because I do.”
by Heather Adler
Source: http://www.dose.ca |
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Evanescence Ready To Return Despite Troubles
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It's been a rough two years for Evanescence.
Last December singer Amy Lee filed a lawsuit against her former manager, accusing him of sexual harassment and defrauding the band. (He has denied the claims.) Her songwriting partner, Terry Balsamo -- who replaced former partner Ben Moody in 2003 -- had a stroke. (He's since made a full recovery.) Lee split with her boyfriend of two years, Seether's Shaun Morgan. And to top it off, "the cat ran away," says Lee.
"It was all really dramatic and weird." But tragedy creates great material: "It's only made the record that much better, honestly," she says.
Moody's departure meant greater creative control for Lee. "Before, I wasn't allowed to play any organ because Ben didn't like it. This time I could do whatever I wanted, and there's lots of organ. It's all over."
The first single, "Call Me When You're Sober," has remnants of Evanescence's old goth sound, but with woman-scorned lyrics ("You never call me when you're sober/You only want it cause it's over") and a bluesy arrangement of strings and organ, it sounds more Fiona Apple than new metal.
On "Good Enough," a plaintive piano ballad, Lee's voice drops to a lower register, giving it a richness and nuance not present on previous albums. "I just feel purified," says Lee. "I still listen to the album now, and it couldn't mean more to me."
Evanescence will release "The Open Door" on October 3 through Wind-Up Records.
Thanks to Oceanic Souce: Ultimate-guitar.com |
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Lee opens up about new Evanescence disc
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Singer talks about band's upcoming 'Open Door' in an exclusive Canadian interview
TORONTO - Just like one of the gang, Evanescence frontwoman Amy Lee emerges from a hotel suite, strides up to a pristinely arranged table of cold cuts and crackers, and declares herself famished.
Garbed in a pixie-like outfit, which sees her sporting a sleeveless heather-grey tee, over a black, pink frilly edge skirt and slightly worn Cons, the 24-year-old California native then joins her handlers in trying to figure out who'd be wearing what to last night's MuchMusic Video Awards.
Moments later, now fully energized, the fresh-faced singer/ songwriter tucks herself comfortably into a plush couch in her Yorkville hotel, eager to talk about her band's latest disc, "The Open Door," due in stores October 3.
"It's just killing me," she says with a mock laugh. "I wish we could put it out right now."
"I mean, who knows what's going to happen by October? We may all be worshipping polka people by then."
Three years after their major label debut, the multi-platinum, Grammy-winning "Fallen," Lee says the new record lets her finally stretch herself in ways even she didn't think possible.
"The Open Door," the band's first album since the departure of lead guitarist and main songwriter Ben Moody in 2003, finds Evanescence rocking out way more, she says.
"I think if people expect this album is going to be softer and more feminine and more wimpy, they're going to be surprised," she begins carefully. "It's not an album full of "My Immortal"-like songs. Every song is completely different and I feel like at times it definitely goes heavier than we had the capacity to do before. But in a way that's still new and fun and unique and not trying to be like anything else that's out there."
Sidestepping Moody's abrupt departure for a moment, Lee admits that her work on the disc, which was recorded in Los Angeles earlier this year, helped her discover how to be a better artist.
"This time around I was in control completely and didn't have any real limits," she says. "I felt like I could do things that I didn't know I could do before and that's an incredible feeling. And I realized I could do a lot more things than I thought I could, as a singer, as a music writer, even as an engineer."
"It was nice to be able to write something and not have it shot down," she says, taking a mild swipe at Moody, who met Lee at a youth camp while they were teens, before forming the band in Arkansas in the late '90s.
It was also nice to collaborate with a different musician, she says, enthusing about Moody's replacement, former Cold guitarist Terry Balsamo.
"I've never really written with someone before. I don't know if Ben and I ever wrote a song together. It was always, I would write and he would write and then we would bring our ideas together."
"But the writing process with Terry was really, really great and different. We would just sit in a room and make demos. We'd work together and talk to each other and encourage one another. This whole writing together thing is good for me. I needed Terry to make it happen the way it did. I trust him and we trust each other to just try whatever."
Besides, since she started writing the album more than a year ago until now, Lee says she's been deaf to the cat calls of people who say she can't make it without Ben.
"Those I hate the most," she moans. "But I don't bother with any of it. It's not even worth it. All I have to say is, people who don't think I can do it - I can do it."
Again teamed with "Fallen" producer Dave Fortman (Mudvayne), the record - which features 13 tracks including the propulsive "Weight Of The World," the full-bodied, "Lithium," the haunting "Good Enough" and the gut-spilling first single, "Call Me When You're Sober" - is everything Lee had ever wanted to try both as a singer and songwriter.
"On this record, I tried things that I couldn't do before because I'm better now as a musician. And anything that I had wanted to try, but before was afraid to do, I tried that too. Because of that, I feel this album steps out. It's grown up."
Curling herself into the couch, streams of the late afternoon sun streaking its way across the room, she says that what's going to surprise people most about the new record is that the reincarnated Evanescence can do it all.
"You can't make a record thinking about sales or things like that," she says softly. "It's got to be natural. It's got to be that you're writing because you want to make music, not because you want to sell records. So, I just thought to myself, 'I'm going to write songs. I'm just going to write something that I can love. Period.'"
"The Open Door" will be in stores October 3.
By MARK DANIELL
Source: http://jam.canoe.ca |
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Kerrang! (Febbraio 2005)
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Dimenticate i 'beats', le chitarre industriali e anche l'ospite rapper; senza lo stile unico di Amy, la sua voce eterea e la sua capacità di incitare le folle gli Evanescence sarebbero oggi una band dell'Arkansas di cui non avreste mai sentito parlare. In mezzo a innumerevoli bands dal look decisamente piatto l'amore di Amy per i corsetti e il trucco particolare hanno portato una ventata di aria fresca nel rock. I salvatori del Nu-Metal? A chi importa. Amy sta per colpire duro lasciando spazio a crescenti momenti di dolcezza mentre scrive brani delicati pieni contrasti dark. La natura personale dei testi di Amy forse ha contribuito alla storia della Christian rock band, ma è prerogativa della cantante riuscire a parlare così profondamente al suo pubblico. Quindi nonostante le controversie vi è un lemento che resta costante = Amy vuole davvero dire quelle cose.
"Sto vivendo un sogno" Nella testa di Amy Lee
Kerrang: Qual è la cosa peggiore nell'essere una ragazza del rock? Amy: Beh.. vivere in un bus pieno di ragazzi non è il massimo (ride), anche se sono io la più disordinata.
Kerrang: Hai mai la sensazione di dover lottare contro uan sorta di dominio maschile? Amy: C'è solo una band rock al femminile che passa in radio in America e che mi viene in mente: The Donnas e non abbiamo niente in comune. Credo solo che ci renda più speciali.
Kerrang: Cosa ti ha dato la forza di arrivare fin qui? Amy: Quando ero piccola, avevo 6 anni, ho vissuto un trauma molto forte - e non entrerò nei particolari perchè non ne sono ancora uscita del tutto - che mi ha fatto crescere in fretta. Mi ha fatto iniziare a pensare come un'artista; mi ha scosso ed ha alterato la mia percezione delle cose. Mi ha fatto considerare anche delle altre possibilità; in fondo tutti vivono delle esperienze, l'importante è il modo in cui le affronti.
Kerrang: Ti fa piacere tutta l'attenzione che ricevi? A nessuno sembra interessare davvero il resto della band. Amy: In ogni band c'è un frontman ed è quello che io sono nella mia. Tutte le band devono avere la consapevolezza che è compito del frontman avere i riflettori puntati addosso, e non è sempre piacevole, ma è il mio lavoro. Non ricevi le attenzioni di tutti perchè sei speciale o più attraente degli altri, è solo un lavoro essere al centro di tutto.
Kerrang: Certo che il tuo modo di vestire aiuta a concentrare le attenzioni su di te. Amy: Mi sono sempre divertita con i vestiti. Volevo essere una principessa del periodo vittoriano e adesso posso! Ben diceva che vivo nelle favole, ma non è così, adesso è un po' il mio lavoro.. devo essere una principessa rock star! E più azzardo meglio è. Voglio sentirmi metà Edward Mani di Forbice e metà principessa.
Kerrang: Ok.. e adesso che sei diventata una principessa quali ambizioni rimangono da soddisfare? Amy: Vorrei fare la guest-star in un episodio dei Simpson. Cavoli sarebbe fantastico. Adoro Homer, è il mio eroe!
Source: Kerrang! |
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Metal Edge (January 2005)
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EVANESCENCE: EVERYWHERE . . . BUT HOME Amy Lee has the world at her fingertips. Her debut album with Evanescence has sold more than 10 million copies worldwide, the band has won two Grammy Awards and are one of rock's top-drawing live acts, and Lee has become a figurehead amidst the new wave of female artists. She's at the top of the world . . . But things still aren't perfect. "It smells in here . . ." Lee laughs, sliding into a limousine that would take her from her day of radio interviews in support of the band's new CD/DVD Anywhere But Home, to the Los Angeles studio of CNN, where she would be making a brief television apparance to support the release. When you've sold as many albums as Evanescence — making that seemingly overnight transition from "next big thing" to international superstar — it's easy to get bogged down in the minutia of success and, in this case, the minutia is an entire day of questions from mainstream American media outlets that will send her voice to tens of millions of listeners and viewers. In the wake of Ashlee Simpson's lip-synching on Saturday Night Live, everyone wants to know what Amy Lee thinks about what happened. And the day after Anna Nicole Smith's scene at the American Music Awards, that's another hot topic. Neither have any impact on Lee, but she handles the press like a pro, a smile never leaving her face (until, briefly, when I mention her former bandmare and writing partners, but more on that later). She was even laughing upon her return from the four-minute CNN interview, as she passed American Idol runner-up Clay Aiken in the studio hall. All in all, the CNN interview lasted about a third as long as the ride from the hotel where her press was being summoned, and sliding back into the limo for the return trip, the aroma was even stronger. Laughing, she comes to her senses — "Cat piss! That's what it smells like in here!" At least we know we didn't get into Clay Aiken's limo... With dinner at one of L.A.'s premier sushi retaurants scheduled for within the hour, the label rep from Wind-Up Records tells Lee that the limo is her's for the night — Odors and all. Sure, we can laugh that even with the world at her fingertips, everything in Amy Lee's world doesn't always come up smelling like roses, but you won't hear her complain. Even when she spends the rest of the ride being interrogated by Metal Edge . . .
METAL EDGE: This is the first time I've talked to you since the member change — Have you started writing with Terry [Balsamo, guitarist, formerly of Cold] yet? AMY LEE: Yeah, he's here, actually at my house right now — I got a house that's big enough for the entire band to crash at, so we can write there. So far Terry's the only one that's come up, but I'm planning on everyone coming up, eventually, but I've been good with writing solo so far. We've been writing together for the past week-and-a-half, just for demos, and we've come up with four demos that I really like — Nothing ready for the album yet, but I'm really happy, because it's really coming together, and we really click. We're actually doing this, we're moving in a new direction.
ME: This will be a whole new writing team for you — Your last album was writtien with Ben [Moody, former guitarist] and David Hodges . . . AL: Well, the writing team was me and Ben — Dave played piano, and got plenty of credit for it, trust me, don't even get me started on it . . . Yeah, he's got his solo album coming out, which is very different from our band. But, yeah, it was mostly Ben and I who wrote the last record, and now it will be me, Terry, John, Rocky, and Will. It's going in a different direction for a lot of reasons, I think mostly because I've grown a lot as an artist, and have a lot of freedom now that I can take some liberties since the first one did so well.
ME: You can take liberties, but is it also a little daunting, trying to live up to that success? AL: Yeah, but everyone thinks that should make me worry that I've got to live up to that, but instead, I look at it like my first record has done so well, I don't have to worry about selling records anymore. That's the way I look at it — I don't worry that if the new record doesn't sell a certain amount, I won't be able to eat. Now, more than ever, the most important thing for me is the music.
ME: How has the music changed? What's the new direction? AL: It's really hard for me to explain! It's not like anything I've ever heard, to be honest — It sounds like Evanescence, but it's creepy, it's kind of sexy, it's groovy, it's not so . . . It's sort of Portishead, A Perfect Circle, bands that take more artistic freedom — Portishead because they have more groovy, weird, sultry vibe, very similiar to that. We're literally at the very beginning of this project, though, and it can all change . . . It can be a completely different record.
ME: So, for all we know, it could come out like a Gwen Stefani record. AL: I will never — It's not going to be an '80's record! [Laughing] I know the goal is — The heavy stuff will be heavier, and the soft stuff will be softer, we just took extremes and pulled them apart.
ME: The last time I interviewed you, you didn't have a bass player yet, and you showcased in front of a couple hundred people. Since then, you've won two Grammy's, and toured amphitheaters. What's the past year-and-a-half been like on your end? AL: You know what? When you're not sitting at home watching TV, and watching ourselves and our success everyday, it really doesn't seem surreal, it just seems like that's what life is like. It's kind of hard to explain, but until I was watching the DVD, I never really realized that we were playing in front of that many people! Watching it, I was like, "Wow, I can't believe we played in front of that many people, that's awesome!" But when I'm there, I'm always thinking about the next thing. I'm always thinking about the DVD, the next album, the next project, whatever we were working on. I never really stopped and looked back on the last album. Even when we were recording the last album, I was completely happy with it and satisfied, but there was so much more that I wanted to have, that I couldn't help but be looking ahead.
ME: What were some of the things that bothered you about the last album, looking back? AL: Well, a lot of the times — and I'm not sure if it's better or worse — the original version of the songs we had were packed down and condensed, and the chorus came around more often, and that sort of thing, to where, in some respects, it felt like it was pulling some of the artistic integrity out of the piece. I listen to the album and I very much hear verse-chorus, verse-chorus, verse-chorus, and that's so boring. I know the normal ear doesn't hear that, but that's what I hear, and I don't like it as much. I think there's something to be said for the most pure form of the song. That's part of the reason why I want to make this album without that part of the "formula".
ME: Who brought that into the song? AL: The commercial? That was Ben — The Kelly Clarkson writer, the Avril Lavigne writer . . . Put it together! [Laughing] The piano felt like part of the formula . . . I don't want to get super-weird, lose everyone — I don't want to make a weird record, I want to make a record that I like, and I liked our last record, so it's not going to be completely off the wall . . . At the same time, I don't want to feel like I have to do it that way. If the label says, "We like this, but we'd like the chorus to come around more often, and we'd like to hear more of this" — which I'm sure they will — I think I would just rather do it our way, and see how it works.
ME: On the live front, it's remarkable that with just one album, you've achieved the level of success that you have. Evanescence outdrew OZZfest in some markets. AL: How great was that! I still can't believe it, and that's cool to me! The other Grammy — not Best New Artist — was for Best Hard Rock Live Performance, and I was like, "Wow, I'm a chick, I shouldn't have won that!" That's so cool, and I'm so honored by that one, because when we perform live, we're really doing it — We're really touring live, and we're really touring our asses off, and that's important to me, to be able to pull it off live, and not just make a great album.
ME: Part of the problem with pulling it off as well as you do is — unlike the sloppy female singers who will never get accused of this — there are people who assume you must be lip-synching. When I've seen you live, your vocals have bordered on flawless. AL: I try really hard . . . In-ear monitors definitely help — I know everybody has them now, it's not a big deal, but I didn't use to have them, and they're a big help. Even now, when I sing with Seether, I won't have them, and I try to listen to Shaun [Kerry's Note: I edited Shaun's name. They put "Shawn" instead.], because I can never hear myself. Plus, I'm used to just thinking about the music. And, this may be totally nerdy, but I was in choir forever, and that's just so important, because if you sing out of key in a choir, you stick out like a sore thumb. I love choir, and I was always about intonation and pitch, and getting right in there in the center of the note, it just feels good. But the thing is, I don't watch the DVD and hear that — I always hear that one note that I know I missed.
ME: In a lot of regards, the mystery of the live show is gone with just one album, because you know what you're going to hear heading into the show. How do you approach the dynamics of the show? AL: Well, when we do a setlist, a lot of what we're figuring out is guitar tunings — You don't want to switch guitars out after every song. I think it's cool to make direct transactions from one song to the next — That's fun for us, because you never really have to fill a lull, that's really cool. Also, you want to keep it interesting, put the singles within the show in a way where you save the best for last, and throw in some different covers, mix it up, and make it interesting for us. We had to have the piano stuff in the middle — You can't keep wheeling the piano in and out, or have it rising in and out of the stage, so you kind of have to do it all at once [laughing]. So it's in the middle of the set, and that's good for me, because I'm exhausted — It's nice to be able to sit there and take a breath . . . Actually, now that I think about it, this time we're going to have a lot more piano [laughing].
ME: The last time we spoke, it was very clearly the Amy and Ben show, and not so much a "band." How are you progressing now, is it your band or is it more of a band entity? AL: Well, I'm the leader of the band, and I do the majority of the work, that's true, but I'm really trying to make it more of a real band, with all of us involved. When we brought the other guys into the band, they had played with us years before, in Arkansas, whenever we needed players for a gig. Rock wrote "Tourniquet" — We rearranged it, but that's his song. He has some great songs, John has some great songs, Terry has amazing songs — Everybody brings something really different to the table, so it should be really interesting melting pot of inspirational . . . I can write the structure of a song, and I do that a lot of times, then I bring it to everyone, and a lot of time it changes.
ME: What was the process of finding Terry — Ben left in the midst of a tour, right? AL: Yeah, right in the middle — Of a European tour, nonetheless. It was a difficult time, because it was just the hardest tour, it was so stressful, we are all hoping he'd leave. He was so angry, and didn't want anyone around him to be happy. He was just an unhappy guy, he was so hard to understand, I just don't have a fucking clue!
ME: Like being in a relationship for too long, and knowing that it has to end? AL: Mmmm, hmmm — Then you're stuck together . . . We'd get onstage and he hated everything and everyone — He hated being onstage, he hated not be on stage. He hated when fans wouldn't talk to him, he hated when they would. It's like, "What would make you happy?" It got to the point where we were all miserable and fighting all the time, so when he left, it was a relief — "Good, we can continue with the band, it's not going to be driven into the band . . ." And we had one day between him leaving, and the next show. So we got up at eight in the morning, rented a practice space, John relearned all the lead parts, and sat there all day and tracked his rhythm parts, and there was one guitar player for the rest of the European tour, and we played as a four piece. It sounded great, he did the leads wonderfully, and now Terry and John split the leads.
ME: So the rhythem guitar was actually being lip synched? [Laughing] AL: [Laughing] It's true, the rhythm was being lip-synched — At least there wasn't a guy there pretending to play guitar! [Laughing] There was another three or four weeks of touring, and it was stressful, but it felt great, because we did it! I called Terry from Europe while we were doing all of this, because we had toured with Cold, we knew how talented he was, and we loved to hang out with him. So, originally, he was only going to come out for a while, but we all clicked, and it worked out great.
ME: Was it ever a concern that you needed someone to compliment you as a writer? AL: I was just hoping . . . We connected on a lot of musical interests, and I saw the stuff he did live, and that's what he had written — He did a lot of writing on the Cold records, and he did a lot of writing on the first Limp Bizkit record, and from what I'd heard that he'd done, I'd liked it.
ME: Limp Bizkit — So instead of Gwen Stefani, you can go rap-rock? AL: No, we did that on the first record . . . I'm kidding, I'm talking about "Bring Me to Life," but I'm not really funny . . . [Laughing] So I was just hoping he could do it, and if he couldn't, I'd have just taken the load myself, but it was a total score...
Source: Metal Edge |
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Music is my Therapy (Amy Lee)
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By BRIAN ORLOFF Published May 13, 2004
Don't let Amy Lee fool you with that tormented artist image. Sure, the Evanescence singer looks dreary in her gothic getups. And yes, her band's tunes sound urgent and angst-ridden. Remember the boffo hit Bring Me to Life, the one in which Lee yelped, "Call my name and save me from the dark" over surging guitars?
But Lee doesn't walk around all troubled and sulky. Offstage, Lee says she's just a "big nerd," a Michael Jackson fan and an ardent fashion designer. She has a new boyfriend, Seether lead singer Shaun Morgan, who duets with her on Broken, featured on the soundtrack for The Punisher. And then there are those Best New Artist and Best Hard Rock Performance awards that Evanescence picked up at the Grammys this year.
It hasn't all been sunshine and roses, though. Lee's co-writer, guitarist and friend of eight years, Ben Moody, abruptly quit the band in October, an event that had the rock press in a froth. The band, with Moody's replacement, Terry Balsamo, along with guitarist John LeCompt, bassist William Boyd and drummer Rocky Gray, performs in Coachman Park on Sunday before heading back to Europe.
Calling from her manager's home in Los Angeles, a warm and chatty Lee, 22, talked about everything from her take on feminism to how Little Rock, Ark., fueled Evanescence's sound.
Why is atmosphere so important to your band and your music?
It's a hard question because I think the worst thing you can do to music is analyze it. If I sit and think too much about why I want it to sound the way it does, it becomes very confusing and then I wonder myself.
As far as songwriting, obviously, a lot of the lyrics are very dark, just about things that I have been through on the inside, just through my life, and the things that I want to get out that I don't want to bottle up inside because it would kill me. Music is my therapy. So, there's definitely a lot of dark imagery and interesting vibe as far as the sound of the music to go along with the dark lyrics. So, that's probably the only logical reason why. Otherwise, I just really love that sound.
So you're not actively walking around brooding? You're not always troubled?
No, not at all (laughs). I definitely, I'm a loner. Even being in a relationship, I appreciate my alone time, and being able to just think. Well, that's what's cool about Shaun, because he does, too. Even when we're on tour away from each other, it's really important to not be talking to everybody, not doing an interview, not doing anything except maybe writing in my journal or just thinking about stuff. Even if you're just laying staring at the ceiling, it seems like you're doing nothing, but sometimes that's the most productive thing you can do.
So, yeah, I'm not a sad person. Not at all. I'm pretty outgoing. I'm a pretty happy, funny, goofy person, a nerd, not very funny, but I think I am. I laugh at my own jokes. Nobody else laughs except to laugh at my laughing. (Laughs.)
But the music provides a different portrait.
It's interesting. The part of me that is Evanescence was forever, and always has been, and still is a very personal thing, and it's something that I don't sit and share with a friend or even usually a significant other. It's just something all about me personally, in my head, or all by myself, when nobody's listening and I'm crying my eyes out about whatever's bothering me. That's not something that I've ever shared with anyone, so it's pretty funny now that there's lots of people that kind of know that side of me, which is, kind of, if you think about it, scary.
Did Little Rock have a musical community that supported you?
As far as the local bands that are actually there, there are very few. And of the few it's either the music that the kids never like, the really country crap, (or) the stuff that the kids are into . . ., just horrible death metal with no melodic tones whatsoever. . . . So, I just didn't pay attention to any of the music scene.
I was really more influenced by things from everywhere, like Bjork and Nine Inch Nails and, wow, Pearl Jam and Janis Joplin and Portishead, bands a lot of people my age didn't listen to. So, when we started to form, it was so different just because we weren't trying to react or be influenced by anything that was going on around us. It was from a completely different place. So we were popular, I think, mainly because there was nothing else like it.
Are there bands that you really love that would surprise fans?
I've always been a really big Stevie Wonder fan, and Michael Jackson, too. Even more Michael Jackson. I was a huge Michael Jackson fan, just that he could constantly be so creative and good for so many years, starting when he was a kid. He was just a musical genius.
In Rolling Stone you talked about warming up to Stripped by Christina Aguilera, but you said that you resent what she stands for. I think your quote was that she's "misrepresenting everything that feminism is supposed to be."
It's really simple. There are a lot of people in the industry right now that try to come off as, in a way, feminine, and that they're standing up for their rights as women by giving men exactly what they want. And that just doesn't make any sense to me. Like, "I'm a woman, so I can do whatever I want and take off all my clothes, which just happens to conveniently sell the most records." So, I don't think that's feminism at all. Feminism is being able to be yourself and not try to please everyone and not try to be what everybody wants you to (be). And not try to gear everything you are toward turning guys on so they buy your album. Not that sexuality is wrong, it's great. It's human. We're supposed to be that way. But there's a lot more to the human brain and the human body than just sex.
Do you feel pressure at all to alter your image?
I remember being told that it would be great if I could lose 10 or 15 pounds, and it hurt my feelings. I've had suggestions like that before.
Tell me about your look.
I think fashion design is really fun. . . . I love to paint and I love to sculpt. My favorite thing to draw and paint, for the center of a lot of my art is the human body.
I hate the word "fashion." It's so girly! It's so J-Lo. But as far as clothing design, it's taking the human form and putting a spin on it and making it creative somehow and making different, individual pictures in a way.
Your band has had a lot of success with songs on movie soundtracks, first Daredevil and now The Punisher. Can you tell me about the song Broken and how that collaboration came about?
It's actually not what you'd think about Broken. I think everybody has come to the conclusion that it's just a marketing ploy for me to help my boyfriend to sell more records, and I can understand how it would seem that way. It's just that I was originally supposed to sing on Broken two years ago, before our album ever came out. And I really wanted to do it because out of all the bands on Wind-Up (Records, her band's label), Seether was my favorite. I didn't know them at all.
I wrote the part . . . and then I just didn't get called. I forgot about it. And then I met Shaun and we started dating and I told him, "I was supposed to sing on your song." And he had no idea.
Everybody just liked Broken and Shaun was like, "We could just record it and put it out on the Internet and release it as a B-side." And of course the label gets their hooks in it and it becomes this huge thing.
The soundtrack thing has really worked for you. Especially after the success with Bring Me to Life.
Since we released (the song) on Daredevil it went all over the world, whether they wanted it to or not, so we had fans in countries we had never been to because they had the soundtrack and they heard it on the radio. So, it started blowing up all over the world and then we had a reason to tour all over the world. And that's how the whole international thing happened this early. Which is awesome.
Source: http://www.sptimes.com/ |
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Popyoularity: Amy Lee Interview
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Evanescence: To dissipate or disappear like vapor. Fronted by a girl, Evanescence are out to break through all the boundaries that have been set by previous bands. And, they will. With their Wind-Up records/Sony debut just around the corner, you'll definitely be hearing more of what you will want to hear: Evanescence. Mark your calendars for April 1,2003 and pick up your copy of "Fallen." If you're looking for a sneak peak of this epic, dramatic, dark rock, check out their two tracks on the DareDevil Soundtrack.
popYOUlarity: Give me a history of the band to get people reading this a little more familiar with your background. Amy:Ben Moody plays lead guitar. He and I have been writing music together for a bout 6 years. Rocky and John are from much heavier metal bands. We stole them away to make our own band. Ben and I met at camp one summer in Jr. High, when I was in the sixth grade. We’ve been writing music together ever since.
popYOUlarity:The one thing a lot of people have pointed out so far about you is your voice. What is it like to be put in the position with all the compliments? Amy:I don’t feel completely comfortable. How do you….if you agree, you’re vain. If you disagree, you’re not supporting your own music.
popYOUlarity:When will your Bring Me To Life video debut? Amy:It is almost finished and is in production right now. We filmed it in Romania actually in January. It should be done this month for sure.
popYOUlarity:Being on the Daredevil soundtrack must have been huge for you, especially since a nice chunk of each song was actually in the movie itself. Amy:It was an incredible feeling sitting in the theatre. It was really hard not to cry. One of the scenes that they used was a funeral scene. That’s one of our oldest songs. It was written when we were in high school, early high school. It was mind blowing. I think it goes perfectly with the movie. We are just very flattered to be a part of a movie.
popYOUlarity:In Whisper, there is a Latin chant. What are they saying in Latin? Amy:We had a choir come in and I actually wrote a directed the choir. I love choir, I’m a choir nerd. I’ve been writing choir for a while actually. It is Latin for "save us from evil" and then "save us from Danger." I think those are the right order.
popYOUlarity:Do you think music nowadays is a little lost and is there too much pressure from everyone looking for some sort of savoir? Amy:Absolutely not. I don’t think there is enough. I think that music of today has lost a lot of meaning. I think it’s become, it seems to me either pre-packaged, teen angst, you know which is really fake and in genuine .It seems to be what people think will sell. I don’t believe in making music just to sell music. I think a true artist would make a piece of art only to connect with people.
popYOUlarity:So you think that there is a mega difference between those who are only in it for the money, and those who are in it for their passion for music? Amy:Do I think that there is a difference? Definitely. If you pay attention its pretty clear whose who and what’s going on. Not to be down on anybody, but I ready for music to have some meaning again.
popYOUlarity:Do you think it's kind of difficult to be heard without being painted into a corner now, with the abundance of heavy bands in the mainstream? Amy:No I don’t feel a lot of pressure that way because I think our music is very different from than anything right now. Simply because we pull from all different kinds of genres. I don’t think we fit into a genre. Hopefully people won’t put us in genres we don’t belong in. Sometimes they do, and that's okay, but I think if you listen to the whole album, then you can see that it’s not like anything else.
popYOUlarity:Not many bands today are fronted by a girl. Do you think that it makes the band get looked down upon, or do you think that it’s seen as a good thing? Amy:Of course I think that it is a good thing! Many people do view it as a negative. That’s mostly not bands or people that are music buyers. It’s mostly people who are in charge of putting music on the radio or in charge of what sells. It’s people who act like they know all about music, but they actually don’t know anything. I think the main point is that we write music to please ourselves, it sounds good to us. If we didn’t like and weren’t our favourite band, we’d change until we were. At first we did face a lot of prejudice, for me being a female and that our music was rock. This isn’t really rock, it’s tame. When it's not, it's not any tamer than a lot of things. Mainly it's the fact that I’m a female, and on top of that we use pianos and strings. I think it's good that I’m a girl because hopefully that will open the gate for many other female artists to come through, which there aren’t enough of right now.
popYOUlarity:Is determination the key? Amy:Determination and remembering that it is all about the passion for the music. It shouldn’t be about business, technical stuff, or rules. It should just be about love for the music. We are music lovers. I love my job. I love music more than anything on earth. If we can always keep in mind and remember that’s what it should be about.
popYOUlarity:If a fan were to spend a day with you, can you describe the person they would get to know? Amy:Personality wise, we’re all different. I am a nature, animal, children lover, very sensitive and passionate. My best friend recently told me that I was the most passionate person she’s ever known. I don’t know if that was a compliment or an insult, honestly (laughs).
popYOUlarity:Do you have any fears of what success will do to you? Amy:No, because I’m really going to make a point of not getting sucked up into all this. In the end this doesn’t mean anything. This is nothing in the big picture. If you don’t let things get to you and invest everything in you into your career, then it can’t destroy you when it falls, which it always does. Everything goes away, no band survives forever. I’m just glad to be where we are and I’m glad that we’re having a good time and had the success we have. If it was all over tomorrow, it would still be completely different.
popYOUlarity: Do you have anything you would like to say to the readers of popyoularity.com? Amy:We’re Genuine; we’re not trying to sell anything. Like I said before, it’s just about the music and nothing else.
Source: http://www.popyoularity.com/variables/evanescencei |
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Kerrang! (December 2004)
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They've (Velvet Revolver) got Slash In It. "Yeah, but great celebrities don't make a great band. I don't hate them, but the music isn't that great." How Is It Writing Without Evanescence's Co-Founder? "I definitely feel like I have something to prove, so there's pressure. That's okay, though, because I know the truth; that isn't the case that Ben was the brains behind the operation who let me be the singer. Some people think that and it bothers me, but there's nothing I can say to change people's minds so I'll let the album do that." You're Scoring A Film? "It's not the whole score, but I'm doing a song for a film of CS Lewis' 'The Chronicles Of Narnia'. It's great because it's going to be really creepy, which was basically my only requirement. They want me to the one theme song that comes on at the title credits and maybe incorporate that in the score, with me doing all this vocal-ambient stuff." What Can You're Fans Expect? You do a few songs at a time and then you move on, so it's hard for me to say. It's still me and it's still rock and ambient and creepy and dark, but it's a little more vibey: it's not just the bridge-chorus ect. We'll see where the music takes us.
Source: Kerrang! |
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Chicago's New Rock Station (December 2004)
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Amy Lee 'bored'
Evanescence lead singer Amy Lee says that L.A. supergroup Velvet Revolver "bores" her in a new interview with British rock magazine Kerrang!. When asked about the current rock scene, Lee says, "There's just so many new bands out there and I'm not motivated to see a single damn one, and a lot of the bands worth listening to are old and tired now. Velvet Revolver...I haven't seen them play live yet but that album really bores me! Maybe there's one song that's cool, but to me it's just not worth building a supergroup around."
Lee also thinks that the music industry is not paying enough attention to rock music these days: "There's a lull in the rock industry and the labels are pouring all their money into rap and hip-hop. At the MTV Video Music Awards, we felt really disrespected and looked over and ignored. You invite us to an award show because you've nominated us and you don't even want to interview me because you're too busy with Beyonce and Usher? It's like, 'Why did I go to the trouble?' We were 20 rows in the back!"
Finally, Lee says that she feels "pressure" to deliver with the band's next album, particularly since guitarist and songwriter Ben Moody left the group last year. "That's okay, though, because I know the truth: that it isn't the case that Ben was the brains behind the operation who let me be the singer. Some people think that and it bothers me, but there's nothing I can say to change people's minds so I'll let the album do that."
Evanescence has been added to the roster of acts performing at the Billboard Music Awards, which will be broadcast live on Fox from Las Vegas on 12.08. The band joins Green Day, Gwen Stefani, Usher and Nelly as live performers at the event.
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Amy Lee ha dichiarato in una recente intervista a Kerrang che I Velvet Revolver la annoiano. Quando le viene chiesto cosa ne pensa dell'attuale panorama rock risponde: 'Ci sono troppe nuove bands là fuori e non mi interessa andarne a vedere nemmeno una, in più ci sono diverse bands che erano davvero valide un tempo che adesso sanno di vecchio e di stanco. I Velvet Revolver ad esempio, non li ho ancora visti suonare live, ma l'album mi annoia da morire! Forse ci sarà una canzone davvero bella, ma non c'era bisogno di creare un supergruppo come quello.
Amy pensa anche che l'industria musicale ultimamente non stia prestando attenzione alla musica rock: 'C'è indifferenza nei confroti dell'industria rock.. le case discografiche spendono tutti i loro soldi per rap e hip-hop. Agli MTV Video Music Awards ci siamo sentiti molto ignorati, guardati dall'alto in basso e soprattutto per niente rispettati. Ci invitate allo show perchè siamo stati nominati e non vi preoccupate nemmeno di intervistarci perchè siete troppo occuptai con Beyonce e Usher? Mi chiedo perchè ci siamo disturbati ad andare.. ci hanno anche messo in 20° fila!'
Alla fine ammette che si sente un po' sotto pressione per l'uscita del nuovo album.. specialmente perchè Ben se ne è andato. 'Va tutto bene, perchè io conosco la verità.. non era la classica situazione in cui Ben era la mente del gruppo e io solo la cantante. Alcuni lo pensano e la cosa mi dà molto fastidio, ma non c'è niente che io possa dire per far loro cambiare idea, quindi lascerò che sia l'album a parlare per me'.
Source: Chicago's New Rock Station |
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Bankrate (August 2004)
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Bankrate spoke to Lee about the perils of being thrown into fame.
Bankrate: With such quick success, how do you handle dealing with the business end of things?
Amy Lee: The business (stinks). I try to stay out of it as much as possible, but you can't completely or you get screwed over. It's a tough business. It's kind of designed to screw the artist. My grandpa is an attorney. When we were first going to sign a record contract, we started showing the contracts to my grandpa, and he's like, "I don't understand. These are all horrible. I would never advise a client to sign anything like this." And it's not just about contracts. We're doing fine, obviously, but it's just such a screwed-up industry. I hate to get into the business end. I'd rather just hire good people to handle it for me.
Bankrate: Have you been able to find good people?
Amy Lee: Yeah, I have. It takes a lot of looking, but they're definitely out there.
Bankrate: So have you had to learn about stocks and stuff, and what to do with your money?
Amy Lee: I haven't learned very much. I should learn some more. There's been talk about it, but I haven't done anything yet. We hired a lot of new people recently and I have an awesome business manager, and I actually hired a financial adviser. That's the only person I've been talking to about stocks and junk that I don't understand. So, yeah, I'll be doing some investing. As soon as the money starts really rolling in.
Bankrate: Do you have any directions you think you want to go with that?
Amy Lee: No. Except that we've occasionally donated money, and that always feels good. That's simple and easy. I understand that.
Bankrate: You hear so many stories about bands having hit records and selling millions, and yet still being in debt and broke and in these horrible financial straits. Have you gotten caught in any traps like that, or are things working out better for you?
Amy Lee: It's definitely working out better than that. I'm not broke, and I'm doing better than I've ever done.
Source: http://www.bankrate.com/brm/default.asp |
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